I have been working on two new systems of contiguous ornament. One is based on late medieval millefleur tapestries; it will appear on fabric patterns throughout the drawings of the Summula Pictoria. The other is loosely based on the calligraphic inscriptions in Islamic architecture. The cursive forms do not spell any actual words, except in cipher. This one will appear on the architecture of non-Hebrew ancient Semites and Persians.