24 July 2017
TRANSLUCENT ICONOGRAPHY
›
I have more and more been using the translucent quality of calfskin vellum to artistic advantage. In my recent drawings of the Invention of ...
23 March 2017
ESSENTIAL BOOKS: GOLDEN LEGEND
›
There are a few books that are especially useful to anyone who wishes to understand or to make religious art; living in an time when its...
22 March 2017
SACRED ART and CRYPTOZOOLOGY
›
I have written in defense of the traditional hagiographies of patristic and medieval times, the wonderful accounts of the miracles and ...
20 March 2017
HAGIOGRAPHY and the BENEFIT of DOUBT
›
Emile Mâle: It was no new departure when at the end of the thirteenth century Jacobus de Voragine wrote the famous Golden Legend , for ...
16 March 2017
DRAWING TREES
›
http://www.danielmitsui.com/00_pages/hugh_lincoln.html http://www.danielmitsui.com/00_pages/adelaide.html These two drawings, rece...
14 March 2017
SPONGES and DECALCOMANIA
›
When drawing on very smooth calfskin or goatskin, I am able to use two methods, sponge-stamping and decalcomania, that are more commonl...
13 March 2017
CALFSKIN VELLUM and GOATSKIN PARCHMENT
›
Vellum and parchment are animal skins that have been soaked in limewater, scraped clean of flesh and fat, depilated, stretched, and pol...
11 March 2017
INK for DRAWING
›
I use Winsor & Newton calligraphers’ ink for most purposes. This ink is pigment-based, and more lightfast than dye-based ink. I als...
10 March 2017
PAPYRUS and WASHI
›
I bought a supply of papyrus about a year ago, mostly because my children were interested in Ancient Egypt. I’ve done a few small exper...
09 March 2017
PAPER for DRAWING
›
Bristol board is my usual choice for drawing on paper; there is nothing really special about it, but it works well. I usually buy Strathm...
08 March 2017
PENS, KNIVES and OTHER TOOLS
›
I have read several diferent illustrators remark that the question they are most often asked is what pen they use - implicitly complain...
06 March 2017
HISTORICAL FICTION
›
http://www.danielmitsui.com/00_pages/sacred_heart_washi.html There is some measure of irony in any historical revival or traditionalist...
28 February 2017
UPDATE on the SUMMULA PICTORIA
›
A few weeks ago, I posted a description of the Summula Pictoria , a magnum opus that I hope to complete over the next fourteen years. I h...
27 February 2017
MY PLANS for the FUTURE: SUMMULA PICTORIA
›
I am eager to begin a new, ambitious task, which I hope to complete over the next fourteen years (in which I can be reasonably confident t...
15 February 2017
ARTIST BIOGRAPHY
›
I was born in Georgia, USA, in 1982, and raised in Illinois. I attended Dartmouth College in Hanover, NH from 2000 to 2004, where I studi...
‹
Home
View web version